‘The Shrouds’ Review – David Cronenberg Plays His Greatest Hits [TIFF]
Audiences hungry for David Cronenberg’s infamous brand of body horror may have hoped that 2022’s Crimes of the Future marked his return to the genre. That film, which formed an unofficial trilogy that began with 1983’s Videodrome and continued in 1999’s eXistenZ, featured several callbacks to the Canadian director’s recurring visual and thematic interests. The […]